“What legacies will we leave behind, not only for the generations that succeed us but also for the epochs and species that will come after ours? Are we being good ancestors?”— Robert Macfarlane, Underland, p. 410
The Empire of Blight photo collage series brings my Anti-Tourism methodology to the Athabasca Tar Sands, focusing specifically on Bitumount, the abandoned industrial plant where Canada’s first experimental oil sands extraction was attempted. The work examines how a century of extraction has produced not only a devastated landscape, but an aesthetic and affective atmosphere of contradiction: ordinary and monstrous, banal and catastrophic. Rather than argue about the Tar Sands, the project renders these contradictions felt, approaching petro-modernity through sensation, dissonance, and encounter.Developed from fieldwork conducted over three trips (2015, 2024, 2025), the project draws on first-hand research at abandoned sites, tailings ponds, and a landscape where industrial origins and ecological precarity remain entangled.



